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In 1966, On the cover of TV Guide: “cast of Bewitched: Elizabeth Montgomery, Agnes Moorehead, baby Tabitha”. Other Articles: Jonathan Harris, Willie Mays
In 1966, R.C., “Bare Footin'” by Robert Parker peaked at number seven on the pop singles chart.
In 1966, R.C., “Break Out” by Mitch Ryder and The Detroit Wheels peaked at #62 on the pop singles chart.
In 1966, R.C., “Green Grass” by Gary Lewis and The Playboys peaked at number eight on the pop singles chart.
In 1966, R.C., “Hand Jive” by The Vontastics peaked at #100 on the pop singles chart.
In 1967, ED SULLIVAN SHOW Guest Stars: SPANKY and OUR GANG (“SUNDAY WILL NEVER BE THE SAME”)
In 1967, TVʹS SMOTHERS BROTHERS SHOW Musical Guests: BUCKINGHAMS (“DONʹT YOU CARE” and “MERCY, MERCY, MERCY”)
In 1969, GOLD RECORD FOR FRIENDS OF DISTINCTION “GRAZING IN THE GRASS” is certified as a million seller
In 1969, “The Main Chance” began airing on ITV
In 1971, HOT NEW ALBUM ROD STEWARTʹs “EVERY PICTURE TELLS A STORY” includes “MAGGIE MAY”
In 1973, The Aʹs stage a Fatherʹs Dayʹs Mustache Day promotion, giving fans with hair above their upper lip free admission into the ballpark. Charlie Finley offers his players a $300 bonus for growing facial hair for the event, and all do except Vida Blue, who is still bitter about his recent contract negotiations with the team owner.
In 1965, "I'll Take Sweden" was released in movie theaters in the U.S.A.
In 1969, "Eye of the Cat" was released by Cinerama Releasing Corporation; David Lowell Rich (director); Michael Sarrazin, Gayle Hunnicutt, Eli Wallach; Horror
In 1969, "The Wild Bunch" was released by Warner Bros. Pictures / Seven Arts; Sam Peckinpah (director/screenplay); Walon Green (screenplay); William Holden, Ernest Borgnine, Robert Ryan, Edmond O'Brien, Warren Oates, Jaime Sánchez, Ben Johnson, Emilio Fernández, Strother Martin, L.Q. Jones, Albert Dekker, Bo Hopkins, Alfonso Arau, Dub Taylor, Chano Urueta, Elsa Cárdenas, Fernando Wagner, Rayford Barnes, Sonia Amelio, Aurora Clavel, Jorge Russek, Paul Harper, Bill Hart, Stephen Ferry; Epic, Western, Revisionist
In 1971, "Willard" was released by Cinerama Releasing Corporation / Bing Crosby Productions; Daniel Mann (director); Gilbert Ralston (screenplay); Bruce Davison, Sondra Locke, Elsa Lanchester, Ernest Borgnine, Michael Dante, Jody Gilbert, William Hansen, John Myhers, J. Pat O'Malley, Joan Shawlee, Almira Sessions, Alan Baxter, Minta Durfee, Pauline Drake, Helen Spring, Sherry Presnell; Horror; Live Action
In 1971, "The Panic in Needle Park" was released by 20th Century Fox / Gadd Productions Corp. / Didion-Dunne; Jerry Schatzberg (director); Joan Didion, John Gregory Dunne (screenplay); Al Pacino, Kitty Winn, Alan Vint, Richard Bright, Kiel Martin, Warren Finnerty, Marcia Jean Kurtz, Raúl Juliá, Gil Rogers, Joe Santos, Paul Sorvino, Sully Boyar, Ruth Alda, Anthony Palmer, Michael McClanathan, Angie Ortega, Larry Marshall, Paul Mace, Nancy MacKay, Arnold Williams; Drama; Live Action
In 1966, “Better Use Your Head” by Little Anthony and The Imperials peaked at number 54 on the U.S. pop singles chart.
In 1966, “Break Out” by Mitch Ryder and The Detroit Wheels peaked at number 62 on the U.S. pop singles chart.
In 1966, “Come On and See Me” by Tammi Terrell peaked at number 80 on the U.S. pop singles chart.
In 1966, “Dedicated Follower Of Fashion” by The Kinks peaked at number 36 on the U.S. pop singles chart.
In 1966, “Don't Touch Me” by Jeannie Seely peaked at number 85 on the U.S. pop singles chart.
In 1966, “Good Time Charlie” by Bobby 'Blue' Bland peaked at number 75 on the U.S. pop singles chart.
In 1966, “Green Grass” by Gary Lewis and The Playboys peaked at number 8 on the U.S. pop singles chart.
In 1966, “Hand Jive” by The Strangeloves peaked at number 100 on the U.S. pop singles chart.
In 1966, “Hold On! I'm A-Comin'” by Sam and Dave peaked at number 21 on the U.S. pop singles chart.
In 1966, “I Love You Drops” by Vic Dana peaked at number 30 on the U.S. pop singles chart.
In 1966, “I Need Love” by Barbara Mason peaked at number 98 on the U.S. pop singles chart.
In 1966, “It's Over” by Jimmie Rodgers peaked at number 37 on the U.S. pop singles chart.
In 1966, “Mama” by B.J. Thomas peaked at number 22 on the U.S. pop singles chart.
In 1966, “River Deep, Mountain High” by Ike and Tina Turner peaked at number 88 on the U.S. pop singles chart.
In 1966, “S.Y.S.L.J.F.M. (The Letter Song)” by Joe Tex peaked at number 39 on the U.S. pop singles chart.
In 1966, “The Last Word In Lonesome Is Me” by Eddy Arnold peaked at number 40 on the U.S. pop singles chart.
In 1966, “When A Woman Loves A Man” by Esther Phillips peaked at number 73 on the U.S. pop singles chart.
In 1966, “Dream Boy” by The Allan Sisters peaked at number 28 on the Canada pop singles chart.
In 1966, “Dum De Da” by Bobby Vinton peaked at number 29 on the Canada pop singles chart.
In 1966, “Funny How Love Can Be” by Danny Hutton peaked at number 76 on the Canada pop singles chart.
In 1966, “Funny How Love Can Be” by The Townsmen peaked at number 83 on the Canada pop singles chart.
In 1966, “Girl, Girl, Girl” by Danny Harrison peaked at number 59 on the Canada pop singles chart.
In 1966, “Heart's Desire” by Billy Joe Royal peaked at number 56 on the Canada pop singles chart.
In 1966, “Love Takes A Long Time Growing” by Deon Jackson peaked at number 75 on the Canada pop singles chart.
In 1966, “My Kinda Guy” by The Willows peaked at number 15 on the Canada pop singles chart.
In 1966, “Paint It, Black” by The Rolling Stones peaked at number 1 on the Canada pop singles chart.
In 1966, “So Much Love” by Steve Alaimo peaked at number 61 on the Canada pop singles chart.
In 1966, “Stagecoach To Cheyenne” by Wayne Newton peaked at number 60 on the Canada pop singles chart.
In 1966, “The Sun Ain't Gonna Shine (Anymore)” by The Walker Brothers peaked at number 2 on the Canada pop singles chart.
In 1966, “Truly Yours” by The (Detroit) Spinners peaked at number 97 on the Canada pop singles chart.
In 1966, “Monday Monday” by The Mamas and The Papas peaked at number 3 on the U.K. pop singles chart.
In 1966, “Over Under Sideways Down” by The Yardbirds peaked at number 10 on the U.K. pop singles chart.
In 1966, “To Make A Big Man Cry” by P.J. Proby peaked at number 34 on the U.K. pop singles chart.
In 1966, “Twinkie-Lee” by Gary Walker peaked at number 26 on the U.K. pop singles chart.
In 1966, “Bang Bang (My Baby Shot Me Down)” by Cher peaked at number 11 on the Australian pop singles chart.
In 1966, “Monday Monday” by The Mamas and The Papas peaked at number 2 on the Netherlands pop singles chart.
In 1966, “The Sounds Of Silence” by Simon and Garfunkel peaked at number 3 on the Austria pop singles chart.
In 1966, “Lykkeveien” by The Vanguards peaked at number 4 on the Norway pop singles chart.
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