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In 1966, On Dark Shadows, Bill Malloy (Frank Schofield) set up a meeting with Roger Collins (Louis Edmonds), Burke (Mitchell Ryan) and Sam Evans (David Ford) to settle the manslaughter case once and for all.
In 1966, The Beatles concluded their fourth American tour with what proved to be their last public concert, before 25,000 fans at Candlestick Park in San Fransisco. Playing 11 selections in just over half an hour, the “Fab Four” began with “Rock and Roll Music” and ended with “Long Tall Sally.” Beatles press officer Tony Barrow captures the event on camera, but his concert film will never be released. The fans were so hysterical that it was difficult to hear the band over the crowd noise. The BEATLES were completely burned out on touring and eager to spend time in the studio. With the exception of the Abbey Road rooftop concert and 1967's international satellite broadcast, the Candlestick gig was their last real public performance.
In 1966, “Hullabaloo”, TV Music; last aired on NBC.
In 1966, “The John Forsythe Show”, TV Comedy; last aired on NBC.
In 1967, “Combat”, TV Adventure; last aired on ABC.
In 1967, “The Final Episode of The Fugitive”. Convicted of killing his wife, Doctor Richard Kimble (David Jansen) — “an innocent victim of blind justice” — was finally able to vindicate himself in the second half of a two-parter that was the most-seen regular series episode at that time. Kimble convinced Philip Gerard, the police lieutenant obsessed with his capture, to grant him 24 hours to track down the real killer, the notorious one-armed man. The confrontation took place at an abandoned amusement park at the top of the towering Mahi-Mahi ride. The killerʹs confession was heard by Kimble alone before the one-armed man plunged to his death. Fortunately, a witness finally came forward and Kimble was acquitted. As he walked from the courtroom, a free man at last, a squad car screamed up to the curb and two policemen hurried out. In that moment, we saw in Kimbleʹs haunted eyes and tensed body that he was getting ready to flee. But the cops walked right past him and then, only then, did Kimble realize that this was the day the running stopped. The show held the record as most watched episode of a TV series ever (72% of all TVs were tuned in to that episode) until the “Who shot J.R.? ”episode of “Dallas” in 1980.
In 1967, “The Girl From U.N.C.L.E.”, TV Crime Drama; last aired on NBC.
In 1969, To compete with Johnny Carson (NBC) and Joey Bishop (ABC), CBS-TV presented Merv Griffin as a late-night TV counterpart. Johnny ruled — staying on top for almost 23 years to come.
In 1970, R.C., “Overture From Tommy (A Rock Opera)” by Assembled Multitude peaked at #16 on the pop singles chart.
In 1970, R.C., “War” by Edwin Starr peaked at number one on the pop singles chart. War. Huh! What is it good for? Absolutely nothing.
In 1970, The Kinks released “Lola.” Weird Al parodied it with his Star Wars tribute “Yoda” in the 1980s.
In 1971, “The Red Skelton Show”, TV Variety; last aired on NBC.
In 1973, AT THE MOVIES “PAPER MOON” (Ryan and Tatum OʹNeal); “SCARECROW” (Gene Hackman, Al Pacino)
In 1970, “(I Remember) Summer Morning” by Vanity Fare peaked at number 98 on the U.S. pop singles chart.
In 1970, “(If You Let Me Make Love To You Then) Why Can't I Touch You?” by Ronnie Dyson peaked at number 8 on the U.S. pop singles chart.
In 1964, “A House Is Not A Home” by Brook Benton peaked at number 75 on the U.S. pop singles chart.
In 1964, “A House Is Not A Home” by Dionne Warwick peaked at number 71 on the U.S. pop singles chart.
In 1964, “A Taste Of Honey” by Tony Bennett peaked at number 94 on the U.S. pop singles chart.
In 1970, “Bring It On Home” by Lou Rawls peaked at number 96 on the U.S. pop singles chart.
In 1964, “C'mon and Swim” by Bobby Freeman peaked at number 5 on the U.S. pop singles chart.
In 1964, “Father Sebastian” by Ramblers peaked at number 86 on the U.S. pop singles chart.
In 1964, “Hey Girl Don't Bother Me” by The Tams peaked at number 41 on the U.S. pop singles chart.
In 1970, “Hi-De-Ho” by Blood, Sweat and Tears peaked at number 14 on the U.S. pop singles chart.
In 1964, “I Don't Care” by Buck Owens peaked at number 92 on the U.S. pop singles chart.
In 1970, “I Want To Take You Higher” by Ike and Tina Turner peaked at number 34 on the U.S. pop singles chart.
In 1964, “I'll Cry Instead” by The Beatles peaked at number 25 on the U.S. pop singles chart.
In 1964, “I've Got No Time To Lose” by Carla Thomas peaked at number 67 on the U.S. pop singles chart.
In 1970, “I've Lost You” by Elvis Presley peaked at number 32 on the U.S. pop singles chart.
In 1964, “Just Be True” by Gene Chandler peaked at number 19 on the U.S. pop singles chart.
In 1964, “Little Latin Lupe Lu” by The Kingsmen peaked at number 46 on the U.S. pop singles chart.
In 1970, “Morning Much Better” by Ten Wheel Drive With Genya Ravan peaked at number 74 on the U.S. pop singles chart.
In 1970, “Overture From Tommy (A Rock Opera)” by The Assembled Multitude peaked at number 16 on the U.S. pop singles chart.
In 1970, “Sing A Song For Freedom” by Frijid Pink peaked at number 55 on the U.S. pop singles chart.
In 1964, “Squeeze Her-Tease Her (But Love Her)” by Jackie Wilson peaked at number 89 on the U.S. pop singles chart.
In 1970, “Tell It All Brother” by Kenny Rogers and The First Edition peaked at number 17 on the U.S. pop singles chart.
In 1970, “(If You Let Me Make Love To You Then) Why Can't I Touch You?” by Ronnie Dyson peaked at number 9 on the Canada pop singles chart.
In 1970, “Crazy Jane” by Tom Northcott peaked at number 12 on the Canada pop singles chart.
In 1970, “I Just Can't Help Believing” by B.J. Thomas peaked at number 18 on the Canada pop singles chart.
In 1970, “Rainbow” by Marmalade peaked at number 36 on the Canada pop singles chart.
In 1970, “Tell It All Brother” by Kenny Rogers and The First Edition peaked at number 10 on the Canada pop singles chart.
In 1970, “25 or 6 To 4” by Chicago peaked at number 7 on the U.K. pop singles chart.
In 1964, “Have I The Right?” by The Honeycombs peaked at number 1 on the U.K. pop singles chart.
In 1964, “I Get Around” by The Beach Boys peaked at number 7 on the U.K. pop singles chart.
In 1964, “I Won't Forget You” by Jim Reeves peaked at number 3 on the U.K. pop singles chart.
In 1970, “El Condor Pasa” by Simon and Garfunkel peaked at number 1 on the Australian pop singles chart.
In 1970, “Lay Down (Candles In The Rain)” by Melanie and The Edwin Hawkins Singers peaked at number 2 on the Australian pop singles chart.
In 1964, “Matchbox / Slow Down / Till There Was You” by The Beatles peaked at number 7 on the Australian pop singles chart.
In 1964, “The House Of The Rising Sun” by The Animals peaked at number 2 on the Australian pop singles chart.
In 1964, “The Spartans” by Sounds Incorporated peaked at number 8 on the Australian pop singles chart.
In 1970, “25 or 6 To 4” by Chicago peaked at number 8 on the Netherlands pop singles chart.
In 1970, “Long As I Can See The Light” by Creedence Clearwater Revival peaked at number 5 on the Netherlands pop singles chart.
In 1970, “Natural Sinner” by FairWeather peaked at number 21 on the Netherlands pop singles chart.
In 1964, “Only Friends” by Françoise Hardy peaked at number 10 on the Netherlands pop singles chart.
In 1970, “The Bull and I” by Hal Dorado peaked at number 20 on the Netherlands pop singles chart.
In 1970, “White Rabbit / Somebody To Love” by Jefferson Airplane peaked at number 2 on the Netherlands pop singles chart.
In 1964, “It's All Over Now” by The Rolling Stones peaked at number 5 on the Norway pop singles chart.
In 1970, “Never Marry A Railroad Man” by Shocking Blue peaked at number 5 on the Norway pop singles chart.
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